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Name
Savings Bank -
Address
Křížová 1338/1, Jihlava -
Date
1912–1913 -
Author
-
Trail
-
Code
05F -
GPS
-
Type
Administrative Building -
Monument preservation
Territorial protection of the Jihlava urban conservation reserve
Unlike the post office building, where the project designer has not been identified, the designer of the Municipal Savings Bank building is documented and attributed to the architect and builder Arthur Corazza. Corazza also supervised the construction. The building stands on an L-shaped plot. The volume of the frontage is dynamically shaped and decorated with an Art Nouveau façade with geometric discoloured motifs. Everything is topped with a high mansard roof, which was originally covered with red flat ceramic tiles. The avant-corps with balconies and a canopy over the crown cornice culminates at the main entrance to the building from the square with a bell tower, which was originally topped with a clock face in a cartouche. Similarly accentuated is the side segmentally curved avant-corps with a side entrance from Křížová Street, where we can find an impressive entrance staircase embedded in the structure of the house, decorated in the arches with lattices featuring foliage and hedgehogs, symbols of Jihlava. In the corner under the polygonal oriel window, there is a decorative inscription in the plaster, reading "ARCH. CORAZZA 1913". The internal layout and furnishings underwent many later modifications, especially after 1951, when the entire building was taken over by the Communist leadership for the needs of the regional committee, and all the Art Nouveau interior disappeared. Despite that, at least the U-shaped stone staircase with a black terrace floor at the side entrance has been preserved. The well thought-out transitions of the individual elements on the façade and the gradation of volumetric elements with emphasis on the verticality of the building demonstrate Corazza's complex perception of the house as part of the surrounding urban whole and place the house among examples of the modern Baroque style, popular mainly in the German environment and characterised by an effort to distance itself from late historicism with modern forms.
Corazza, who designed and managed the construction, had already completed several projects in Jihlava, including Edmund Hoss' tenement house at Vrchlického Street 27, a factory complex for Richard Weissenstein at Srázná Street 17, a company building for Alois Neumann at Srázná Street 40, and a building for Josef Nägele at Znojemská Street 64. He also designed his own house at Jiráskova Street 7 and several other houses, including Franz Röder's house at Na Hliništi 9. He was also behind the design and construction of the first cinema in Jihlava, the Elite, in 1911, which later gave way to the construction of the Masaryk Jubilee Schools (Masarykovy jubilejní školy). After the war, Corraza's business and financial situation in Jihlava deteriorated and he returned to North Bohemia.
JL
Literatura:
Pavel Zatloukal, Počátky moderní architektury na Moravě a ve Slezsku (kat. výst.), Krajské vlastivědné muzeum Olomouc 1981, s. 34.
Zdeněk Jaroš – Karel Křesadlo, Jihlava, kulturně historický průvodce městem, Jihlava 1996, s. 43–44.
Jiří Kroupa, 68. Architektura, in: Ivana Ebelová – Renata Pisková – Milena Bartlová et al., Jihlava, Praha 2009, s. 606–608.
Ladislav Vilímek, I domy umírají vstoje II, Jihlava 2016, s. 72–75.
Petr Dvořák – Jana Laubová, Funkce a styl (kat. výst.), Statutární město Jihlava 2019, nestr.
Zdroje:
Státní okresní archiv Jihlava – Stavební archiv, č.p. 1338.
Miroslava Baštová, Jihlava – Stavebně historický průzkum zástavby 19. a zač. 20. století oblastí severozápadně hist. jádra města, nepublikovaný strojopis Státního ústavu pro rekonstrukci památkových měst a objektů, Praha 1982, nestr.
Jana Laubová, Architektura Jihlavy 1900–2009, nepublikovaná diplomní práce Katedry dějin umění Filozofické fakulty Univerzity Palackého, Olomouc 2009, s. 21.